

On Grief & Wandavision
**WARNING: This contains major spoilers for Wandavision** At 8AM on Friday the 26th of February, I was getting ready for a funeral....


2020 Hall of Fame: Music
It’s easy to begin any ‘best of the year’ article by recounting how good or bad the year was. Although, in 2020, the world ground to a...


Spider-Man: Miles Morales / Review
When I saw the first trailer for Marvel's Spider-Man: Miles Morales during the reveal event for the PS5, I was ecstatic. As a longtime...


Ryuichi Sakamoto: CODA / Review
"Music requires peace" I first heard of Sakamoto through his score for The Revenant and finding interest in his career outside of this...


TENET / Review
After a slew of delays following the outbreak of Covid-19, Tenet has finally reached cinemas as its writer and director, Christopher...


BlacKkKlansman / Review
BlacKkKlansman was my introduction to the filmography of Spike Lee and left me with a craving for more of his work. There’s a lot to love...


Portrait of a Lady On Fire
I usually leave my core verdict of a film until the end of the review, although today I make the exception - Portrait of a Lady on Fire...


Honey Boy / Review
While my initial interest in Honey Boy was captured by its A24-like atmosphere, it was solidified when I found out that it was a...


La Haine / Review
Some will see La Haine as a precursor to films like City of God, wherein it provides a thrilling, near-biographical, recount of a true...


High Life / Review
Initially, the combination of Robert Pattinson and A24 was intriguing to me. Not only did it present me with the opportunity to see the...